Author: janineyclai

Sincerely (Yours), Tommy.

This is a post long overdue.  Some months ago, before my Masters studies got to the best of me, this post was in the making, about a dear friend whose sublime ambitious dream came true, and to much acclaim and fruition.  Not for nothing, this muse of a girl became a muse of a(n) “every”- woman (a woman who every stylish woman wants to be) in front of my very eyes.  I am so personally proud of her accomplishment, and am infinitely inspired by her vision and the manner which she brought this thing forth to the world, I introduce to you, Sincerely Tommy.

A minimalist concept shop, tucked at a cozy corner in the middle of BedStuy at Tompkins and Monroe, Sincerely Tommy is unexpected of the neighborhood, like a (any) sci-fi movie of 2014, ahead-of-the-times yet very right-now.  Owner Kai Avent-DeLeon comes from a line of entrepreneurial matriarchs in her family, who lead the way to her now wildly minimalistic hub of textures and sensualities…everything you see you want to either hug caress or own, or all of the above.  The visuals you will encounter at the instagram account the store represents are ethereal (my favorite word/feel), otherworldly charming, tactile and structural, elegant and visionary.  They take you far, far away from your daily grind, just enough of a fantasy that you felt the elation of a truly de-stressed vacation, but tangible enough to realize hey maybe just maybe I can afford to do this for real.  A rich minimalism isn’t an easy feat.  At least from this maximalistic-minimalist’s POV.

 

 

Congratulations hoe, you did it :p

 

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recently profiled by the talented humble illustrator/blogger Garance Dore…a “classic modern” that Kai is 🙂

 

 

you can also shop online…shh there may or may not be an end-of-season sale goin’ on now

 

 

follow the shop on instagram…and let the visionaire take you away…

DETACHMENT. a performance piece by trae harris.

Starting a new year with some optimism.  And wisdom.  I’ve had the pleasure of witnessing an intimate rousing moment of unveiled inner freedom by a dear friend, Trae Harris.  As the year came to a close, I found myself closing in on my own inner self, asking more than once, what can I do to allow (even) more spirituality into my daily, and just what does it mean to live “(whole)listic-ally”?  And the Universe answered, with this cenobitic message, DETACHMENT.  A passage and a deeply personal “performance”, for lack of a better word, kindred spirits convened to observe and absorb what it meant to detach, for Trae Harris.

So here, to start a new year, with (some) answers already in hand, I share with you a photographic documentation of the metaphysical transcendental wisdom of a gypsybruja — Trae Harris.

 

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For those of you who want more, a documentary of this spiritual evolution will be available in a future date.

For now, a snippet of the magik belowww…

 

 

 

 

 

follow this ethereal mystic on Instagram, tumblr, and Twitter, @gypsybruja #nagaland #witchesbrew

 

 

all photo by moi – a visual documentist

Approaching the Intangible, and Filling the Void, at Intangible Beauty: Beautiful Women and the Void.

If there is a world where there exists only the random, the unfathomable, the imaginary, the fallen beauty, the disturbed, the trompe l’oeil, then this side room in Kasher | Potamkin is it.  Like artifacts of a lost world of another realm, the inaugural exhibit at this new “boutique-meets-gallery” themed itself of items with peculiar, eye-of-the-beholder beauty, and that’s just how I like it.

 

 

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soft, plush, silky, not the words that come to mind when one looks at marble…this trompe l’oeil of a chair gives the illusion of a solid chair carved from white arabescado marble. even the footstool is a pillowtop for your ankles; from Maurizio Galante and Tal Lancman of Maurizio-Galante, there’s some fantastical pieces on their site I wouldn’t mind owning (or borrowing, whichever comes first)

 

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not one, but two sheepy ducklings (what beastly legs are these?!), at once my desire to caress/hug/park my behind on one overcame, but quickly I took hold of myself and gave in to just photographic documentations (it’ll last longer)

 

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by the Haas Brothers.  go on their site to view (or buy) more beastly creatures of comfort

 

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blooms? elephant trunks? rooty explosions? these were a bouquet in their own collective existence; also by the Haas Brothers

 

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silk or cellophane done with shrink wrapping process of sorts? by Jessica Janoski (not to be confused with the travel blogger by the same name)

 

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gilded animal (Javanese monkey to be exact) skeleton gives natural history museum meets Fort Knox; by John Breed. his is an abundance of carcasses and limbs

 

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these marble and wood receptacles of sorts by Michaël Verheyden reminds me of the jewel stand by Zoe Mowat…perhaps they know each other? or all is in the critical mass that is a design aesthetic collective consciousness

 

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the reason I was brought to this fantastical kingdom of dream in the first place; true to the nature of this blog (ie. talented friends, uh-hum, I’m talking about you, Soull and Dynasty), jewelry from L’Enchanteur was also featured in Kasher | Potamkin, alongside the other artistry

 

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hand-made hairpieces from Tresse Agoche gives BAPS-chic (remember Halle Berry before she was HALLE BERRY?!) and beyond

 

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giant orchid ink drop by Yassi Mazandi

 

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guess what?! lapin butt. by Ghyslain Bertholon, a French multi-media artist that brings the art of taxidermy into the new world, amongst his swans with penises as heads and other sculptural creatures that busts through expectations of the norm

 

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left by Vee Speers, right by Conrad Roset

 

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photographic documentation of Tresse’s hair sculptures by Delphine Diallo

 

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quartz cluster face by Atsushi Tawa, multimedia artist from Japan whose range is beyond description…see for yourself 

 

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ceramic mask vases by Bruce M. Sherman

 

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wall paper by Calico…jewel stand not included

 

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no comment on the comfort of this shelf chair…

 

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miniature women in a zipper pod by Kathy Taslitz

 

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not your usual Russian porcelain, by Sergei Isupov

 

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the backside to the unusual porcelain depicts a woman who slayyyyys…

 

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sugar and sprinkles oversized medallion by Fernando Mastrangelo 

 

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a close up…I was tempted but I restrained for the sake of art

 

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framed this time…also by Atsushi Tawa

 

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another unusual porcelain by Isupov…

 

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the details and realism is only visible in person…by Biata Roytburd

 

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my mom’s fondness for ceramic dolls come to mind when I see this eerie work by Jessica Harrison…although I’m sure she would have a much different take on these feminist versions of the women of yesteryears being portrayed this way.  Harrison has a whole series exploiting women and their tendencies to give even their most vital organs away at a constant…a not untrue observation of the structure of womanhood, even till this day

 

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more portraits by Vee Spears

 

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twin vision with L’Enchanteur creatives Soull and Dynasty Ogun

 

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haven’t you always dreamed of caressing a lapin’s butt? well here’s your chance

 

 

The only downside to living in the vastness that is New York City is there never cease to be new things to do/to see/to experience/to get accustomed to.  But to find a space, where surrealism lives so believably, almost reasonably, stradling the subconscious and the conscious mind, where dream and reality merge seamlessly to create another realm altogether, like a second nature, is a rare treat in of itself.  Of course there will never cease to be “peculiarosities” in this town where all the Atypicals come to express their perplexities, but at last, there was a place for them/us, to call home.

 

 

curator Andi Potamkin gets a nod from Cultured magazine…

 

 

a blurb by James Tarmy for Bloomberg.com about the new gallery that is Kasher Potamkin

 

 

all photo by moi – a visual documentist

Lured Into the World of Luar Zepol SS15 (behind the scenes).

Staying on the same rant about otherworldliness, the newest addition to the fantasy of a world that creative (gosh I’m almost sick of saying how GENIUS my friends are, but still, it’s the basic truth) “genius” Raul Lopez of Luar Zepol, has brought into being a whole collection that not only wows with its vision, but also wickedly practical.  Central to his designs this season, the eye and hook plays a major role in how garments work, on and off the body.  Here is some footage from behind the scenes, as I am part of the production team this year, and so happy-sighingly-glad to witness the magic up close and personal.

 

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venue’s set for the legend of a show that’s about to commence

 

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it’s always calm before the storm

 

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makeup visionaire Michael Anthony (ig: @manthony783, not to be confused with the rock bass player of Chickenfoot) shows the troop how it’s done

 

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Frankenstein meets sewing shop…

 

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 head styling extraordinaire Lester Garcia makes sure the show stopper herself Omahyra Mota’s look is sittin’ proper

 

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binky collabo with THECANDYKIDS (ig: @thecandykids), another set of talented friends with a vision beyond the regular…

 

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THE perfect summer backpack, in lightweight leather and loops to hook your various belonging onto

 

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the entire piece can be reassembled. ruched, reconnected to make different silluettes. and I don’t say this much, but fucking GENIUS

 

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open back or closed…the option is yours, the possibilities are endless

 

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customize sneakers to match the looks

 

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nail creative direction by nail mother herself Naomi Yasuda (ig: @naominailsnyc), another talented friend who has made quite a name for herself…from Madonna to Joan Rivers (RIP), from Sephora to Lancome, this lady is EVERYTHING, and brought the nail game in eastern US (from the very middle-America French manis) up to the nail-art that is now EVERYWHERE

 

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zipties put to a new use

 

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faint arms emblem logo that is central to the SS15 rotates in the middle 

 

 

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making sure the lighting is just so

 

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this face tho…

 

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his almost-alien face is perfectly beat with the Ring

 

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 ziptie faux-hawk at large

 

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Omahyra Mota…I’ve loved her from day one

 

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her look is sittin’

 

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panos to give the whole feel of the space…Webster Hall, legendary for it’s parties since the 90s, turned out to be an epic space for a well rounded show like this (and Vfiles’, just days before)

 

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not in a Luar look but I love him all the same…his whole look brings me toan episode of Boys Over Flowers in an instant…and if you don’t know what K-soap is, get into it! fighting Jungae!!

 

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final run before the crowd arrives

 

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backshot (I couldn’t help it…it was right there! ) shows exactly why these eyes and hooks can be so versatile…reaching new styling possibilities zippers and buttons simply did not (and could not)

 

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certainly giving a look

 

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eye and hook detail is key to the entire collection…imagine the possibilities of this one epic piece turning into many different garments

 

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models awaits their instruction…

 

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stylist Lester Garcia gets the last details right minutes before…

 

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ostrich on pullover….fly in so many ways

 

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hair direction by Amy Farid; final prep on Omahyra…get your supermodel name game up if you don’t know who she is…she slayyyyyys

 

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Luar friend/muse Maluca Mala (ig: @malucamala) and downtown fashionisto Mike the Ruler (ig: @miketheruler) stopped in to say hi backstage, in the SS15 long sleeve easy-Breezy (!) dry-fit logo tee in white, and limited edition 5 panels

 

here’s the show in it’s entirety, EPIC soundtrack produced by Gatekeeper (fast forward to 12:08 for the finale, my favorite part) (or 13:30, where Maluca holds Luar veteran Sabel’s 5 month old who snoozed through the whole show…ay KaiKaiBreezey!!)

 

artist statement about SS15 by Raul Lopez of Luar Zepol…

 

front of the house coverage by the Social Life blogger Martina Kiridzija

 

all photo by moi – a visual documentist

Get Your Dreamy Fixings Here at William Okpo SS15.

Like a school for all the Pippi Longstockings and Dr. Seuss characters in the world, this season William Okpo strung together as hopeful a show as the children’s books themselves, flying pigtails and colorful ensembles inclusive.

 

Not the first time at the debuts of this sister duo’s bi-annual creation, this time around they added a moving element, garbs floated in mid air with the help of some wiry-ponied real-life Pippis (or Sallys or Cindy Lou Whos of Dr. Seuss books, whatever your reference preference), each of them a more grown-up sophisticated version of the bean-stalk red-maned cartoon protagonist herself.  The usual mannequin-like presentation was instead replaced by a flowing stream of grown-up Pippi’s replicas, all of whom glided through the labyrinth of a tic-tac-toe grid composed of gymnasium benches.

 

 

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not unlike the cartoons themselves, these seemingly gentle ensembles are at once sweet-tempered yet assertive

 

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I have to say that being ”less-endowed” up top than most has its advantages, case in point the possibilities are endless with this bunch of hop-in-and-go of easy tops

 

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with the ease and bounce of an optimistic spring day…

 

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crushing on these pleated footwear…

 

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two of my personal favorites next to each other: mint blazer with Greek-key edges and thigh-slitting denim jumper with backpack straps has me high and starry-eyed…

 

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in true elementary school fashion (blum-bump), the class of  SS15 at School of William Okpo commenced, and would be incomplete without an official class photo.

 

 

a quick tear sheet outlining the show by none other than the alway avant garde du force Opening Ceremony…

 

 

all photo by moi – a visual documentist

On the THIRD of September, it’s THIRDNYC (in NYC). SS15

Sometimes it is not easy to stay completely unbiased when it comes to recognizing accomplishments by people who you’re close to; luckily I never have to worry about that being that I am not a critic, and won’t EVER claim to be.  I am merely an observer whose enthusiasm for witnessing miracles and magic shows rivals that of expressing them in words and photography alike.  And lucky for me I am surrounded by those who I adore and love who also happens to be incredibly talented determined human beings that are onto bigger and more awe-inspiring things!  Two of those magical humans happens to be Tony and Cedric (or Ceddy as he likes to be called these days) of THIRDNYC, a collaborative design team that puts out highly specific, tailored “unisex” (most say men’s wear, I say potato potah-to) clothing brand that is ever-evolving and delves deeper into the subconscious of fashion than just looking good.  Where there’s a will there’s a way, and these two have found fantastical ways to thoroughly express their believes in a higher power with garments and soundtracks (sign up for their emails, and get hooked on their special mix”tapes” during off season) that picks up on concurrent cultural trends, be it trap music or cut-and sew sportswear.

 

 

Without further adieu, here’s this season’s creation, hailed from above.

 

 

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the view upon entering…(pano function really comes in handy for these situation where there’s a whole lot I want to take in…)

 

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on the reverse of the same island of models…

 

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for me flash generally changes the mood and subject too drastically so I opt for blurrier moodier version to retain the very purposeful feel set director Vasha created…so apologies ahead of time for the inconsistency of quality of the image captures this post, it is still the easiest to document the town’s activity with the primitive technology that is an iphone 

 

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honing in on the mesh/bondage/athletic gear trend, the two extracted the idea and pushed it further, with luggage width elastic bands as giant cage vest, and literal translation of bondage around denim pants.  long overall straps also reminds that clothing should move, maybe even fly.  the lattice detail is giving me a white picket fence meets downtown raver kids

 

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if I’m not mistaken, the built-in jacket with the lattice denim jumper is perfect these scorching days that drops 20 degrees at night…and won’t have to worry about stashing a jacket for later since it architectural hangs on the back just so

 

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minimal yet structured, this is the strength of this duo as they show you don’t have to do a whole lot to achieve a look of effortless thoughtful layering, a good denim shirt speaks volume

 

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subtle but spirited: the customized patches complements the spiritual messages the duo themselves carry and spread daily…a rise of their own higher selves through creativity and vision

 

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again the bondage theme is reinterpreted here, with a slight twist of a summer strait jacket, light and breezy enough to keep the crazies far far away, from within and without

 

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finally, a biker vest jacket that I can to wear all year round.  note, the lattice on shorts works as ventilation and miniature enticement (yet conceals) to the grandeur that is above knees…

 

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a rare close up of the lattice jumper in denim

 

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the backside shot…

 

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cute twin DJs whose names I could not gather over the great customized soundtrack that was trap music made from gospels; wearing nothing else but their cute smiles and THIRDNYC (past and current seasons)

 

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one half of the design duo Ceddy himself looking like one of the models…

 

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finally the two in the same vicinity of each other, surrounded by their innovative creations

 

 

here’s what fader.com had to say about their collection last year

 

 

follow them on Instagram @thirdnyc and get a preview of their every step towards greatness…

 

 

all photo by moi – a visual documentist

 

He Who Works For IT…Sajjad Works.

Of course if you have taken in any of my previous posts you would have gathered the notion of that this-here “blogging” for me is one of the ways I choose to outwardly celebrate the creative energies that surround me, many of whom I resplendently call my FRIENDS.  So it wouldn’t be a surprise that this man here, one who have been a constant fixture in the shit-disturbing, ruckus-inducing, all in the best positivity-promoting way possible, circle of “fr-amily” that reisdes in the greater area of Fort-Clint-Stuy, Brooklyn, a creative soul who I gladly admit friendship with, chose to annunciate his own brand of art, in some greatness no less than what you’re about to see.

Take it in, my soulful comrades, and make a screensaver of it (or ALL of it) while you can, because this man is about to take you on a journey through his whimsical visionary mind…here he is… Sajjadworks.com.

 

 

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an accompanying soundtrack that is food for the soul, by King avriel.

 

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maybe it’s my own propensity for anything architectural and out-of-this-world, this one speaks to me as its familiarity sums up all of my preferred dwelling choices in one go…

 

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out of this world…as sometimes frolicking in love can feel like…

 

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another favorite…can you guess why?

 

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a woman’s mind is like a galaxy…she needs more than one observatories to admire her beauty and wonderment…

 

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jumping into the hydrant of life…

 

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I hear the song Nothing Even Matters by Lauryn Hill and D’Angelo when I see this…in the chaos that is life, we can still choose to see and feel and exude love and embrace each other…

 

 

Sajjad’s work took me out of this world, with a perspective that is at once refreshing yet soulful.

 

 

for more artistic interpretations of the future of humanity, dig in here at sajjadworks.com

 

 

all photo NOT by moi (but usually is) – a visual documentist

Charles James: [fashion that goes] Beyond Fashion

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It is not everyday one gets to go inside the mind of a creative genius; and it certainly isn’t everyday that one gets to see the deconstruction (and construction) of a genius’ one-of-a-kind masterpieces, step by step, with an almost-hyper-vigilance to detail.  However, this was the case when one arrives at the Met to see Charles James: Beyond Fashion; while knowing very little of this “fashion designer” (“game changer” would actually be much more fitting of a moniker here), whose name rang not one single bell upon first hearing, I left with my mind lavishly dissipated.  Having attended other inaugural exhibitions the Met and the Costume Institute put on (Alexander McQueen: Savage Beauty being the most noted and memorable) and elsewhere (Jean Paul Gaultier at the Brooklyn Museum, Daphne Guninness’ personal collection in the Museum of FIT, those being the most memorable ones from the said institutes also) in the past, this was the most [at first glance] understated, maybe one would even call underwhelming exhibit; not only was the presentation minimalistic, particularly on the subject of ball gowns, the walls were seemingly barren also.  That is, if you didn’t get close enough to notice how perfectly balanced (and necessary) all this “barrenness” at hand actually was…the gowns each held their own center stages, each equipped with its own “center of intelligence” that decoded the seemingly uncomplicated frocks with not one, but several computer programs to diagnose and illustrate just how in-tuned this fabric magician was in his element (and that wasn’t the only element).

 

 

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simply put, ARCHITECTURAL.  without the use of computer programs, Charles James (hereby affectionally known as CJ) employed the broad span of his imagination and brought to life this very modern, perfectly disproportionate gown in the 50s, and still now, in 2014, doesn’t look one day outdated.

 

 

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the Butterfly gown: just as a caterpillar break out of his cocoon into a butterfly, the balance lies in there’s a balance to be found straddling the pouf and the slender. 

 

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the lighting was dim, but the same could not be said of the focal points that is this picturesque frock; I did not want to spoil the romanticism that is instilled by the sudden drama of the candle-lit like illumination, so I took my best shot with what was provided.

 

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I like big butts and I cannot lie…baby got BACKKKK…

 

 

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peppered in all over were these notable quotes from CJ that were mostly insightful, definitely inspirational, and sometimes even humorous. one can pluck his personality right off of these quotes.

 

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still rings true in 2014, CJ had his sight on the timeless future no matter the era.

 

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my sentiments exactly.

 

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an activist to the end,  for his (and others) right to artistic commitment and obligations.

 

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it can be easily overlooked, if one wasn’t careful, just how intensive the labor required is to bring into being this gown, the patchwork of a flower field that is the bodice, to the clover-shaped configuration, all was in the visionary mind of CJ, all living on in the forms of these tangible evidences.

 

 

 

 

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there’s a moth-like beauty in the clover…

 

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at once voluminous and willowy, this dress can literally fly off the mannequin with the drone-like quadcopter for skirts.

 

IMG_9428don’t be fooled…CJ the originator instigated the silhouette we still see and appreciate today, in 2014, some 60+ years later.  bravo sir James.

 

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finally after some searching and round-abouting by the museum curators, I find the second part of the exhibit, and CJ greets me with some cool.

 

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a summary of how these items came to be.

 

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he never uttered an unnecessary word (I came to find).

 

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somehow I was able to find space to capture the whole of the landscape, despite the crowd that was expected on the second last day of the exhibit, allowing the various mannequins take hold of my already skewed attention span.

 

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again, his humor reveals itself in mischievous yet penetrating ways.

 

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this is my new motto. with some indulgence from time to time on the forgetting part of course.

 

As I turned the corner, in the nook of a room laid some of CJ’s less known work, paintings, dissected dress forms, millineries from his days before the couturier bit, incisive work notes and jocular correspondences to self and others, clipart of his mood boards, books and books of his visual inspirations, videos of him working a show and  and of course, this very-much-still-now precursor of the puff down jacket below.  Come to find out not only was he self-taught in couturier, he also painted and decidedly changed the body of the dress-form to fit the modern woman.  His view on creating and an artist’s right to create and obligation to originality of vision were clear from his many quotes and typed worked notes to self.  Beyond a “fashion designer”, CJ regarded himself as an artist, and worked as one.  He would spend years to complete a dress, made for a particular event, only for it to appear much tardily for its debut.

 

 

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Rick Owen? or nah?

 

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a video scrapbook of sorts, alongside some actual scrapbooks.

 

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his would-be muses at a glance: the title says it all…this man knew what he wanted, and who he wanted them on.

 

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abstracts of his ideas.

 

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dissected (left, in case) and perfected dress forms.

 

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sculptural jewels CJ made; strictly for the fulfillment of the eyes, and soul.

 

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the birds’ wings are fans, for those airless nights out in the town (and if you know me personally, you would know I would do A LOT to get those puppies into these hands that would caress them ever-so-gently, and then lose them in a cab (ughh). hats from his earlier days as a milliner.

 

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almost erotic in the way they display themselves, yet, this is the purpose of the body for him…the lay the foundation of his frocks to come.

 

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he required no other options for his creations but the ultimate freedom of the wearer, virtually unprecedented in those days.

 

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do excuse the poor quality of this most important document that is his work-ethics-hopefuls: a list of people, fellow friends, artists and writer whom he admired, why he did so, and in what capacities. with any luck my audience is purveying this at a machine that can expand the image in size, if only to see a conclusive evidence of his discerning appreciation of artists and artistry.

 

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an assortment of his earlier work.

 

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just like us! CJ used capitalization as an emphasis on importance, practically shouting off the page as he addresses the pertinence of responsible creativity (and organization of materials at hand).  for some reason I believe he would fare well in the modern age of texting.

 

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it was only right to round up this nourishing of a meeting with a brilliant mind with a less nutritive New York staple…balance is everything right?

 

 

here’s what Voguepedia had to impart of this eccentric Sir Charles James (he is indeed a knight of a-many wielding tools commanding the ultimate obedience from his assortment of textiles)

 

 

hear (or read) Jacki Lyden of NPR reports on the exhibit and interviews with the CJ himself and other fashion influencers, and watch Elettra Rossellini Wiedemann, daughter of Isabella, model the primary function of the Clover gown, dancing.

 

 

where elegant meets eros…a review by Roberta Smith in the art&design section of NYT

 

 

here’s an example of CJ’s undercurrent influence in fashion…from his taxi dress (1932) to DVF’s invention of the wrap dress (1972)

 

 

all photo by moi – a visual documentist

 

(An Oldie but Goodie)…the Alchemy Behind O Alquimista – The Alchemist By Paulo Coelho

It takes courage to succumb to one’s destiny; what read like a 2nd grade chapter book was a book that contained perhaps some, if not most, of the Universal truths the human existence need for the betterment of humanity and advancement of our collective soul of consciousness…a much deeper truth that is the universal language of “the soul”, and that, spoke to the side of my inner self-realizations I’ve had to came to acceptance over the years.

 

[Now in my younger days I used to…](that Pharcyde be playin’ in my head whenever I ponder the youth I lived) see myself as a writer; precocious as I was, my sister taught me to read the newspaper from front to back as a pastime since the age of 4; then in the years pursued I was left alone wondering the streets of downtown Taipei in the vicinity of our family restaurant where every shop every street vendor knew my name, though mostly I spent my summer days within the confines of the five floors of a local bookstore, reading every book that detonated my curiosities of the world.  Over time with the learning of a new language that is English in a foreign country that was Canada I’d forgotten how much that meant to me, to express artfully through words, to impose ideas and explore the world through writing.  With reading this book, which resonated with so many parts of my “self” I’ve came to discover, and cultivate, and yet sometimes still forgetting, and now re-discovering again, through the simple elegant words of Paulo Coelho, the scribe whose humble book possesses a Guinness World Record of most translated by a living authorThe Alchemist: A Fable about Following Your Dream.

 

There’s so much to be said about the notion of “following your dream”; what once seemed like endless possibilities with absolutely no restrictions of our minds or any ideas of limitation at the beginning of life, shifting, through the taught conditions of cultures, upbringings, parental instillment of their own buried wishes and dreams, or even just circumstances that we as humans get born into, to only then, perhaps through chance and choice, recognize again what it was that we used to see ourselves as, our own ultimate incarnation of self, at our own most fulfilled manifestation.  This book, in its uncomplicated ways, conveyed and elucidated some very intricate existential queries that surely passes through any evolving person’s mind at one point or another.  In our truest hearts of hearts, one’s contention in life boils down to the very essence of living, reason of being…just what does it mean to have this life, and really, why am I here?  This book helps to begin to answer some of those questions with undeniable clarity.

 

Just as unconventional as I am, this post will not serve as a book review of sorts, or be quoting as such.  There are many sites, I’ve come to unearth, that does that job just fine (one google search of Coelho and an abundance of famous quotes immediate present themselves).  Instead, I would like to showcase some of the more personal-truth-affirming within the context of the book, in pictorial form, in no particular order.

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the importance of the Soul of the World (so It is named here) and how to sustain one’s connection with it is stated simply here; by continuously being aware of these internal changes of “weather” inside ourselves, one can come to a solid understanding of the laws of manifestation, and the Universe’s cause and effect.

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how many times have we wondered why our lives have not changed for “the better”, while undermining the fact that it has not changed because we had not wanted it to? or the simple truth that is the change that we allow ourselves to accept become the fuel that moves the present to the (dream) future?  are you ready for that change?  as with any change comes obligation.

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at times I too have lost track of my own destiny, and became disenchanted by the very definition of it, particularly when I wasn’t looking out for signs, or “omens” that is provided when the eyes and heart are open to receiving; the pertinence that is continuous openness in all facets of being aids particularly well when heeded, even when seemingly negative.  but it is in duality that the Soul of the World lives, positive and negative are two sides of the same coin, sweet without sour is not as sweet as it can be.

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I began thinking about all the times I have experienced this “getting-used-to”, also known as taking-people-for-granted; instead of accepting people as they are at any given moment, the assumption they are always going to be the person I met when I initially met them takes place, thereby inhibiting their freedom to evolve (or not), and consequently squashing my own evolvement.  had I too became impatient at some point with another’s stagnant choices?  who am I to pass such prudence onto others?

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even here it is evident that the cleansing properties of crystal crosses cultures and transcends eras; the idea of alchemy learned not in a lab or classroom, but in daily life, is like reading this book for me, or the freewheeling epiphanies that come up during yoga, or tending to my garden and feeling its ebb and flow of life and death.

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how truthful of an observation by the alchemist…how many times I too have uttered (potentially) hurtful words unintentionally not thinking it meant much; even if it was not said out of malice it is not always easy to be mindful of what one utters, to self or to others…how many times have I too said unkind, even injurious utterance to myself not knowing (or believing) it could do any damage to my inner psyche? 

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even with the wave of spiritual awakening that slowly came to and now finally gaining some traction with the general public, it remains a tricky undertaking when one holds a unique talent and has decidedly share it openly.  central to my own observation that the world may finally be ready for true individualism could have something to do with the verity of the geographical locus I decided upon some years ago: New York, the epicenter of ALL things, and the layers of complexity they have long been endowed with.

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in my most trying moments, I am often reminded by my previous experience that everything comes at its own time, but somewhere between the start of the journey and imagined (because no journey truly ends, it either stays stagnant or evolves) endpoint there lies a moment when one is tested, beyond reasons of logic or understanding; and even before then there exists many more moments when it was just a practice run, to gain more experience on the given subject, just to see if we’ve truly engrained in ourselves the little lessons before the “real thing” arrives.

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the idea of attempting a feat that is bigger than ourselves can feel unnerving, and not necessarily of failing miserably but succeeding…AND what is to come next if we succeeded everything we set out to do? the fear shows itself in the existence of the question.

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at times I’ve too felt my heart freeze, not knowing which way to follow or which way to lead; I then found a reentry by learning to heed it’s voice through feelings, and it lead me on my own path back to the ol’ ticker. 

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when I have felt purposeful in my risings each morning, the days, no matter what I encounter and experience, I found courage and enjoyment knowing that it is all going towards something bigger, to keep forth, however minute the steps may seem.

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to die knowing I have not a regret to my name, to know I have done my best to better myself and help others do the same, would be like the boy knowing he had experience all that he set out to do, and more.

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the fantasy that is a “soulmate” for each of us on Earth, lives in the deepest crevice of my own heart, remains to be verified.

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sometimes the share of a knowing look is all we need to understand the vast unknown that is the whispers of the heart.

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love, the indecipherable unbelievable incredible thing that one can only truly understand in the very moments of its frail and ephemeral existence.

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I always imagined, there’s a net of invisible lines, casted by the “Soul of the Universe”, to bring about at precisely the “right” (the idea of right and wrong can be so loaded, but for this here it is employed for the true essence of the word) moment, the thing that you need most, and the world that is made up of all things, even those intangible or seemingly lifeless, can serve as an envoy.

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in the grand scheme of things, what is a week of waiting? what is an day of training? what is a hour of meditating?  so long as we get there…

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to live with purpose can be such an empowering and liberatingly profound existence.

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the vast creativity and innovation exhibited thus far by the perfectly-imperfect mortal beings that are homosapiens, especially comrades who I’ve come to know, can sometimes feel daunting to juxtapose ourselves against; on the flip side of the token, it can provide boundless inspiration to leap towards.

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the fear of achieving can give the illusion of being vastly more immense, than the fear of failing. neither fear gives way to properly assess the steps to truly accomplish, what is so central to the fulfillment of our beings, our destiny.

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it takes an almost redundant repetition to absorb the idea that is destiny; what is meant to be will be, sometimes beyond circumstances comprehensible, but recognition when it IS happening can be supportive to making a fitting choice.

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it is a bitter pill to swallow when someone shows us the darker sides of humanity; it is even harder to overcome and undo the damage that so easily becomes “us”.  without at least some awareness, these negative notions can become detrimental, in many ways more than one.

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the principle of favorability is as decisive as good ol’ fashioned hard work; if a balance of the two can be arrived at, the outcome is sure to impress.

 

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in other words, no one else can be (nor should be) the motivation of your intent, oftentimes we lose sight of our own paths, our own visions, living up to what others propose. but a detour should never be underestimated as useless. 

one pluck at the google search engine the words “principle of favorability”, out comes the millions of sites citing the Alchemist as the source.

all photo by moi – a visual documentist

Design Your Design Week In NYC.

So this wasn’t new to me nor to the average New Yorker, but it was the first time I took it seriously and gave it a second look into the options it offered…are they functional (obvious number 1)?  Is this something lacking in the market (it satisfies the market researcher in me to know)?  Is this aesthetically pleasing without losing a purpose?  And finally does it drive the humanity towards a better place in the timeline of evolution (how very existential of me to ask but I’m sure I’m not the only one [I hope] wondering)?  Although it was not the first year NYCxDesign, aka Design Week NYC, had taken place in the Big Apple, it was certainly one of the more interesting ones.  I love a gorgeously textured futuristic-throwback-modern couch as much as the next design-intuit NYer, but given the price point they often always start at, looking from afar is as close as I’ll get for the time being.  Not so in this design circuit though; while I didn’t have as much time as I’d like to have to attend the slew of events around the city that week, I got to attend one that is massive in scale, held in a long show-dungeon that stretched avenue-width (from 11th to West Side Highway to be exact) aptly named the Tunnel, Wanted Design NYC.  But don’t let the mammoth of a fair fool you; most objet d’art were reasonably priced, definitely approachable, and most times even kid-friendly.  Being an educator has unequivocally given me that “edge” (more like softened it [the little that I had before the whole educating bit came into my life] a great deal, insert crying+laughing emoji here) to see objects beyond its superficial value (place side-eyes+pursed lipped emoji here), so I’ve began to notice myself wondering just how “the littles”, who are infinitely more perceptive and intuitive than I recall myself ever was at their age, can use-n-abuse these hopefully “functional” objet d’art.  Nothing new to this here, once again I’ve gone off to the deep end, so let us round back to where we started, this thing they call Design Week.

 

Before I jump into yet another rant about the gargantuan of a fair that is Wanted Design NYC, a dwarfish in comparison “show-space” (more reminiscent of an art gallery really) got my attention at a full halt; it packed the design punch as far as meeting each of the above “design requirements” according to me, and as simple as “the requirements” seem, to find them each checked off for good measures is no pliant task…

 

Again, I won’t bore with a lengthy detailed stop-by-stop description and will get right into the meat of things that is only the favorites (insert self-satisfied smiley emoji here), starting with the small giant that is Colony Showroom.

 

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woven wall hanging by hiroko takeda; simple at a glance, once up close the depth jumps at you, daring you to come in for a less obstructed examination

 

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this “giant waffle cartography series” undoubtedly drew the roadmap to my heart…every strand a trajectory to the main ticker

 

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constructed with the effortlessness any modern woman stipulates for her day-to-day, this pièce de résistance of a doodad is not only a “jewelry stand”, it quietly strikes the perfect balance between function and form and is an art in and of itself

 

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hanging loops ensure movement, the jewelry stand is designed to shift on a whim

 

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pieces are customized per order; colors and placements are adaptable to one’s idiosyncratic preference

 

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brass (also comes in nickle) hexagon side table is adjustable in height (the metal part twists up/downwards), with a base in pietra cardosa marble to stablize, egg collective commits itself to making American heirloom-quality furniture whilst fully embracing natural materials 

 

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meg callahan who makes these elemental geometric “quilts” that are a spin-off from the traditional quilting styles from a hand-guided long-arm quilting machine, each piece is made to order, and definitely checks off “the 4 design requirements” list with its varied funtionalities and surely prods the evolution of quilting along to a new degree

 

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another piece by meg callahan; though unusual in the darkness it’s chosen for itself, there’s still a lightness in the semi-translucent rhombus panels that one won’t hesitate to keep in good shape for generations to come

 

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let’s all just sit and read in this sling chair by sit and read, but it’ll be up to you whether to read books or people

 

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in lux cow hide with a maple (or walnut) frame, this egg collective dining chair serenely straddles the line between opulence and restraint

 

I’ve had to return to the scene of the crime to get less crowded-over photographic portrayals of the show-mammoth that is Wanted Design NYC due to an obvious oversight that was the opening-night-open-bar-goggles.  Even though the extravaganza promised more goods by sheer volume, I did not find the aesthetic and obvious 4 checker-off-ers to be in line with what was paraded here; a lot of what was present felt like space fillers, and in keeping my posts positive with uplifting intentions I will only begin my visual rant on what intrigued, in my opinion (stating the obvious, as I like to, as I’m often reminded by my close friends the Boo’s, insert smiley-embarassed-sweatdrop emoji here).

 

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“daylight white cloud lighting” by molo that definitely touched the soft spot in me that is all things eco-friendly/decomposable; these “clouds” looks as though they can float my worries away at any given moment

 

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a funny little bear that echoes my own early childhood educator sentimentality

 

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the predestined #selfie in front of the perfect mirror by Blackbody (?)

 

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another set up by blackbody; these undersized OLED lights can be arranged in any way to forge an extraordinary effect 

 

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pleated “textile soft wall” from molo elongates and shortens whilst staying flexible, bending to any desired urge and joining at the magnetized edges to form seamless walls even children can’t resist

 

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and this, perhaps my favorite item of all, “fanning stool” made from brown kraft paper that is collapsible and can be made in benches (!)…I can’t even take it!!! this is what molo had to share with us about this series of compassionate (to Earth and butts alike):

“fanning stools can be joined to create long benches of any serpentine, circular or straight configuration. softseating is compressed for shipping and storage and fans open into the form of a cylinder held together by magnetic connectors that can also be linked together to form a serpentine bench. softseating has been designed with long-term use in mind. The surface texture softens over time into a pleasing patina, creating a beautiful organic pattern that mimics qualities found in nature, particularly in plants and flowers. Throughout this idiosyncrasy of ageing and movement, softseating maintains its structural integrity. A stiff robust unbleached paper, the warm natural kraft is 100% recyclable and made from 50% recycled fibre.

softseating fanning stool elements can also be used to create benches, see chart above

kraft paper softseating is fire retardant. Fire rating documentation is available upon request”…WHAAAAAAA?!??

 

And on this very eco-friendly Mother Earth swirling moment I conclude my investigation on this round of Design Week NYC…till next time…tata!

all photo by moi – a visual documentist